October 14th, 2002 (Monday)

On Monday, we got up early and we were at the gate to the Acropolis when it opened. This is really the best time to see it and, when you go, you should do the same. For a while, there were very few of us up there. You could actually wait for people to get out of your pictures before taking them. An hour later, the busses and tour guides had arrived and it was starting to get crazy. Keep in mind that this was off-season, so it's even worse during season -- crazy!

Here's a view looking back through the entrance of the Acropolis.

And here's the picture you've all been waiting for, just like the others you've seen a million times, in a million books, and in every travel pamphlet for Greece...the Parthenon:

The whole top of the Acropolis is under construction. Apparently, it's frequently being worked on. At this point though, it was under heavy construction, in preparation for the 2004 Olympics. Did I mention that the most important museum in Athens was also closed to get ready for the Olympics? It closed at the end of September and won't open for a year and a half or so. New rule -- don't visit countries getting ready for the Olympics.

Obligatory shot of me in front of the Parthenon:

The Erechtheion was the main sanctuary on the Acropolis (the Parthenon was just a showpiece). It was built on the spot where Poseidon struck the ground to bring forth a spring and where Athena produced the olive tree during their contest to see who would be the patron deity of Athens -- guess who won.

The southern portico is held up by 6 Caryatids, statues of women. They're called that because the models came from Karyai.

More reconstruction work inside the Erechtheion.

There are two theatres on the southern slope of the Acropolis. The Theatre of Dionysos and the Theatre of Herodes Atticus. The latter was reconstructed in the 1950s and it's used during the Athens Festival.

And, of course, the Acropolis, like all other self-respecting archeological sites, has lots piles of leftover pieces. This picture shows just a few of them:

In the afternoon, we visited the Roman Agora, the Ancient Agora, and the Goulandris Museum of Cycladic and Ancient Greek Art.

The Ancient Agora had a cool, two-story building known as the Stoa of Attalos. It was rebuilt in the 1950s. The top story is supported by Ionic columns and the bottom story by Doric columns.

I still really like the Stoa's colonnade.

In the museum, there was a stone with lots of slots. They used to place strips of metal into the slots. Each strip had a person's name on it. Then, they dropped white and black balls onto the strips randomly. If a name got a white ball, it was accepted. If it got a black ball, it was rejected. This was was used to select council members to represent each tribe.

On a cool little hill sits the Temple Of Hephaestus.

On the way to the Goulandris, we passed the Parliament Building in Syntagma square and tried to not laugh at the guard; it was nearly impossible.

In the Goulandris, we saw cool early Cycladic art. This museum has one on of the best collections of this stuff. It has very simple lines and looks very modern. In the museum, you can see the style evolve over a long period of time. One of the artists they've identified by style is named the Goulandris Master because they have a relatively large percentage of his known works. Here's a lifesize example of the style.


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